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Friday 31 July 2015 White Space Dissertation by Richard Canetti







The aim of this dissertation was to gain an understanding of how and why white space / nothingness communicates hidden visual messages and meanings to the readers, and how it went about doing it. I then decided to put what I had learnt into practice by publishing my dissertation using white space throughout. this enabled me show the reader what was being discussed. [source]

Whilst looking on the internet for information, reading material etc. about white/negative space I bumped into this project on Behance: a dissertation about negative space. 
It was interesting to read and look at how the designer explored the theme by analysing only editorial layouts - I guess that can be called his methodology of research. 

I definitely do not want to focus on editorial design only, but explore the subject of negative space in all subjects: I know I will have to be specific at one point and use a certain methodology of research and also of writing, but for now I am exploring the subject itself. 

Ted Talks - John Maeda on "Designing for Simplicity' and "My Journey in Design"

John Maeda is the author of the book Law of Simplicity which I'm currently reading for CoP3. 

Here are two Ted Talks I've watched to get an idea of what design means for Maeda.




I found the talks rather interesting but John Maeda didn't focus enough on how to simplify design, which I guess it's information that he keeps for the Laws of Simplicity's readers. Maeda more or less tells us how he's designed complicated stuff and programmes all its life to simplify people's life teaching us that in order to get to simple concepts you must go through complicated methods and ways. 

Maeda also talked about one his mentors, Paul Rand and his book Thoughts on design which I have now added to my reading list. 

Why Whitespace Matters


Designers love it, website owners want to fill it. Whitespace seems to be one of the most controversial aspects of design. Why then is it so important and how can we ensure it is maintained?
Whitespace is a fundamental building block of good design. Its one of the first thing any visual designer is taught. However, to many website owners it is simply a waste of space that could be used to better promote their messages, services or products.
In this post I aim to explain why whitespace matters and how to keep whitespace in a design without compromising business objectives. However, before I can do that we need to be clear what we mean by whitespace.

What do designers mean by whitespace?

When designers talk about whitespace, they actually mean negative space. In other words the space between screen elements. That is not always ‘white’. This space maybe a colour or texture but either way it is space within a design that does not include screen elements. Below you can see a couple of examples of ‘whitespace’ in on various websites.
Apple Homepage
wearefixel.com
With whitespace clearly defined the next questions becomes “why does it matter?”

Why whitespace matters

Whitespace is a fundamental element of design for good reason. Used well it can transform a design and provide many benefits. Some of those benefits are purely aesthetic while others have a tangible impact on the effectiveness of your site.
Below I share four benefits from the latter group:

Improved legibility

The most obvious benefit of whitespace is that it increases legibility. You only need to compare the examples shown in Mark Boulton’s superb article on whitespace to see how a good use of whitespace can make an enormous difference to legibility.
Two paragraphs with different line spacing and margins

Higher comprehension

Believe it or not whitespace between paragraphs and around blocks of text actually helps people understand what they are reading better. According toresearch in 2004, this kind of whitespace increases comprehension by almost 20%.
instapaper for the iPad

Increased attention

Whitespace can also be a powerful way of drawing the users attention to a particular screen element. To a non designer the most obvious way to make something stand out is to make it bigger. However often surrounding the item with whitespace can be just as effective.
Simple publishing

Creates the right tone (sometimes)

Finally the use of whitespace can be a powerful way to communicate elegance, openness and freshness. Obviously this isn’t always the design look and feel you wish to communicate. However when it is, you cannot do better than having loads of whitespace.
David Bushell's website
Hopefully by now the benefits of whitespace are obvious. However even with the best intentions in the world, whitespace can often be pushed out of a design. In order to prevent this we need to understand why it happens and how to combat it.

The three enemies of whitespace

I believe there are three primary reasons why whitespace is pushed out of a design. If you understand what these are and how to deal with them then your design stands a better chance of maintaining the whitespace it needs.
Lets start by looking at the fold.

The fold

Whitespace is often pushed out of a design because somebody within the organisation believes users do not scroll. The result is that they insist as much content as possible is placed high on the page sucking any whitespace from the design.
However the belief that users do not scroll was proved false as early as 1997 and more modern studies have shown that users routinely scroll to the very bottom of pages.


In addition it is important to remember that we do not know the point at which users have to start scrolling. This is dependant on operating system, browser, resolution and many other factors. In the end worrying about ‘the fold’ is a false economy.
That said, it is still good practice to ensure the primary calls to action and content are placed near the top of the page. However, this is not to suggest other content will be ignored. What is more, placing too much content high on the page will reduce the prominence of key content because it will be overwhelmed by the proximity of lesser content as discussed in ‘increased attention’ above.

Trying to say too much

Another common reason for whitespace being removed from a design is because there is a desire to communicate too much information at one time. Most website owners have a lot they want to say but unfortunately users only have limited attention. It is therefore important that you ‘spend’ this user attention wisely.
The Google and Yahoo homepages are good examples of this problem. Both Google and Yahoo offer similar services. However, they take radically different approaches to their primary homepages.
As you can see from the screenshots below Yahoo tries to get the user to look at everything at once. Google on the other hand recognises that users have limited attention and so focus on their primary offering first – search. By looking at the two homepages (let alone their relative incomes) it is immediately apparent which is more effective.
Image of the Yahoo and Google homepage side by side
In order to drive this point home I suggest allocating yourself (or those within your organisation pushing for more content on your homepage) 15 points of user attention. Each item you add to the page costs 1 point. If one screen element is more important than another you need to assign it additional points to make it stand out. With only limited points available it quickly becomes obvious you cannot say everything on the homepage and so whitespace does not need to be pushed out of the equation.

Politics

Of course even with the best will in the world sometimes a website owner can be forced into adding too much content to a page because of internal politics. When somebody higher within your organisation insists his or her pet project appears on the homepage there is little you can do about it.
This is where the book ‘Laws of Simplicity‘ offers some great advice. If you cannot remove a piece of content then try shrinking or hiding it.
Take for example the approach we used on the Wiltshire Farm Foods homepage. For various reasons it was decided the homepage should include food and health News despite the fact that this information distracted from the primary call to action (buy a meal) and was not something the vast majority of users were interested in.
Our solution was to have this content present but hide it unless the user chose to view it. A simple piece of javascript enabled the user to expand it on request. This hid the content from those not interested and enabled the design to have more whitespace.
Food and health news expanded
Food and health news colapsed

Conclusions

There is little doubt that whitespace is a valuable design tool that can make any website more effective. What is more I see no reason it needs to be such a point of friction between designers and website owners. I believe any design can maintain its whitespace while meeting a site’s business objectives.

How important is white space in print design? by Serif Blog

Before we answer that, let’s quickly go over what white space is. Basically, it’s all the space between the words and pictures. And it doesn’t have to be white. In the example below, the white space is actually blue.

bluespace

Why white space is used

Professional designers actively employ white space. It’s not just the space left over after everything has been placed on the page; it’s a separate design element. There are many reasons why they do this. Here are a few of the more important ones:

1. It separates elements on a page.

This the fundamental reason to use white space. Without it, your page would look cluttered and messy, readers wouldn’t be able to tell what words relate to the images, and it would be hard to read (so it probably wouldn’t be read). Even using white space badly doesn’t solve those dilemmas – you need to use it properly. The design in the example below has virtually no white space. This makes it very ‘busy’, like everything is coming at you at once, and, for me, it’s like getting punched in the eye.

2. It creates focus and makes things stand out.

White space, generally, is rather blank. There is nothing to look at. If it surrounds something, that something really stands out. If your brand has a minimalist look, all of your advertising might take this approach. Look at the example below. What do you focus on the most?
 

3. As we hinted at point 1, it improves readability.

All other things being equal, words that stand out will be read more often than words that don’t. Also, words that are easy to read will be read more often than words that aren’t. Therefore, it pays to make the most important words stand out and easy to read. The example above, while the focus is on the image, also illustrates that words surrounded by space are easy to read.

4. It helps to create balance.

There are many things to think about when trying to create a balanced image: size, shape, colour, contrast, etc. Adding white space is a great way to balance different-sized objects on your page. You see, a balanced design doesn’t mean symmetrical. A large design element can be balanced by a few smaller ones, which is where white space can come in handy. In contrast, an unbalanced image can look, well, wrong. It’s illogical. It makes the eyes dart all over the place. And you see it a lot in the work of amateurs (below on the left). Adding the right amount of white space in the right places can make your page balanced, neat, and attractive (below on the right). The picture below, on the left, is crammed and there is stuff all over the place.
 

So, how important is it?

White space is a really important design element. It can make your readers look at whatever you want them to or reinforce your branding. It can be used to make words easier to read and it’s especially useful for minimalist designs.
Next time you make a printed document, think about the gaps – the white space. That is the element that will make or break your design.

Parting thought

‘Perfection is achieved not when there is nothing left to add, but when there is nothing left to take away.’
Antoine de Saint-Exupéry

This article by Serif Blog enlightens designers and artists about the use of negative space [source]

Tuesday 14 July 2015 White Landscapes by Mikio HASUI

An exploration of the colour white through landscape photography. 









A proof that white can be found even in the most colourful, richest views. The white actually fills the picture with meaning, letting the reader "imagine" what is beyond what they can only see. The negative space becomes a consistent, essential part of the photograph's composition, fundamental to its mood and atmosphere.

Kenya Hara on the theme of White | by Dr. Victor Frostig

WhiteIn Kenya Hara's worldview, white is not a color, but a design concept. In order to understand Hara's white we must depart from a Western way of thinking and try to connect with Japanese worldview.
Hara is not a designer who likes the color white, or one who does not use color. When he uses color he does so from a search for the representation of a particular sensation, and when he attains it, he does not use additional colors that he considers superfluous to his work.
What is white?
White is a state in which all colors have faded, a pure state, free of interference. White is tranquility, it is the absolute void, it is nothing and it is everything. White is death that is revealed in sun-bleached bones in the desert, white is the pure beginning of life embodied in the whiteness of a mother's breast milk. White exists on the boundaries of life, colors exist in life, and they are never detached from nature. All colors derive from white, and are partial appearances of it. In the world white is not pure white; it appears in thousands of shades and hues, for it is situated in material. We aspire to pure white out of empathy for everything that is beyond ephemeral in our world.

Yasuhiro Suzuki
Yasuhiro Suzuki, Cabbage Bowls
Hara bemoans the loss of Japanese sensitivity to the influence of modern life. The world is colorful chaos, and when sensitivity diminishes, life and the world become gray. The chaos, however, is not gray, but dynamic changes from which new colors constantly glimmer and which we must learn to distinguish.
White emerges from the chaos as perfection, it is not a mixture or a color, it is emptiness filled with everything that repeatedly evaporates in life's dynamic. To achieve the experience of white and colors, the senses must be trained; sensitivities must be developed in order to attain sophisticated discernment. White is the source of life to which designers should aspire to bring all of us closer.


Notes from: "Everything that remains: a memoir by the Minimalists" by Joshua Fields Millburn & Ryan Nicodemus

Introduction: my dissertation is heading towards the theme of white and negative space. Nevertheless, I started this research by taking Minimalism as approach to design and I still believe the subject of Minimalism ties with the one of negative space, the use of less for more. The book mentioned in the title was the first read that brought me to write my dissertation about the topic of Minimalism, so I decided to make a note of the quotes I found most interesting in terms of what is minimalism as a lifestyle and how to become a minimalist (both in life and design).

"What made you decide to become a minimalist?"
"I discovered that material possessions are nothing more than a blindfold, keeping our eyes from seeing the truth in the world around us". 

I found the quote interesting because in a way, it reflects what happens in design: unnecessary items and decorations distract you, keep your eyes and mind away from what's the priority, what's the message and the aim of the design or art piece. 

"No matter how organized we are, we must continue to care for the stuff we organize, sorting and cleaning our meticulously structured belongings. When we get rid of the superabundance of stuff, however, we can room for life's more important aspects [...] focusing on that which is truly important[...]

Same as above, the excessive amount of stuff can be compared to excessive amount of decorations, colours, typefaces, etc. that one can add to a design/art piece. Taking unnecessary things out will lead your mind and the one of the viewer/reader to focus on what's important. 

If the what (the action, the how to) is easy, then, then perhaps we should be much more concerned with the why - the purpose behind decluttering, the why-to. It's true that the why is considerably more difficult to discuss, because unlike the what, which is fairly universal, the nature of the why is highly individual. [...] By simply embracing the what without the why, a person gets nowhere.

When we are building a design, be it a magazine, branding work, a logo etc. we must focus on what adds value. Does it add value? Does it tell me something? Does it need that particular element? The way minimalists approach life and life decisions is the same way minimalist designers and artists approach their work, taking decision regarding value, priority and necessity. 



Project: Exploring White Through Photography

I set myself a project for this summer, whilst researching the theme of white, negative space and minimalism. 

Aim: explore the theme and colour white and of negative space through aesthetics e.g. digital and film photography. I want to explore how different shades of white can build structure and how lighting affect this. 

Quantity: (roughly) 30-50 photographs. In my opinion, this is a good amount to explore the theme without getting "lost" into unnecessary research. 

Outcomes: the project will support my dissertation and the contextual practice derived from this. I hope to make a zine of the photographs taken in order to record my understanding of white and negative space.